Rod Stewart Faces the American Dream

Below is an excerpt of an article that originally appeared in RS 199 from November 6, 1975 Rosetta Stone V3. This issue and the rest of the Rosetta Stone archives are available via Rosetta Stone Plus, Rosetta Stones premium subscription plan. If you are already a subscriber, you can click here to see the full story .The 500 or so guests milling in the backstage visitors area are not so convinced of that eventuality, as bits of information quickly spread among them: The truck bearing Faces instruments and sound equipment from Barstow has broken down. A helicopter has been hired to airlift the guitars and amps. The helicopter will not arrive in time. The necessary equipment is hastily rented from Studio Instruments; but will Ron Wood deign to play a rented guitar? The 15-piece string section in attendance backstage is told it will not be needed this evening. The Tower of Power horns will go on as scheduled. But will the Faces? The stage Cheap Rosetta Stone V3 seems perfectly set for some sort of resolution — symbolic at least — of the rumors, suppositions and expectations swirling about this group since its inception and coming to a head in recent weeks. Rod Stewart, who has maintained a solo career throughout his tenure with the band, has just released his first solo album for Warner Bros., the Faces record company, ending the dual-label arrangement that had seen his own LPs released by Mercury and that had drawn attention to the disparity between his own well-focused output and the unevenness that has always marred the Faces recordings. The album, Atlantic Crossing, his first to be recorded completely in America and the first to be made without any assistance from the other Faces, is selling briskly in America and phenomenally well in England, where the Gavin Sutherland-written Rosetta Stone English V3 single from it, "Sailing," is perched at Number One.

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